In Paris with You was a unique book for me, despite its somewhat formulaic romance plot (which isn’t a bad thing!). Why?
- It’s translated from the original French, which means that the takes on the characters are different than you might get in a book originally in English. Specifically, Eugene is allowed to be slightly depressed, and that’s totally normal.
- The hero is named Eugene.
- It’s a book-length poem. I read poetry infrequently enough that the language that the authors uses is different enough, more emotional and less action-oriented, that it was refreshing.
- It’s got a lovely happy-for-now ending that leaves open a proper happy ending.
In Paris with You was a great Sunday afternoon read. Would recommend.
Royal Holiday was a fizzy delight of a romance novel, inspired by a combination of Meghan Markle’s mother, Doria Ragland, and the author’s own grandmother. In the book, Vivian, the mother of the main character in Guillory’s prior book, The Wedding Party, tags along on her daughter’s work trip over the Christmas holidays in London for the British royal family. There, she meets a retainer for the family, and they proceed to have a whirlwind romance. But alas, Vivian must go back to Oakland and her job. What does the future hold? (Spoiler: it’s a romance novel, so it’s required to have a happy ending.)
Royal Holiday was a fun read, and I was gratified to read a romance novel about a couple in their 50s. Love isn’t unique to those in their 20s! I enjoyed it and would recommend it.
The Grammarians is a lovely story about two twin sisters living in the late 20th Century in and around New York City. I don’t actually want to say too much about the plot, but I loved how familial the story was, how close the twins are even when they’re fighting, and how much love was interwoven. Even when everyone is driving each other nuts, they all still love each other – families are like that.
The action is driven by the women growing up – you get their entire life stories from birth to death 258 pages – but also by a dictionary, Webster’s Second Edition. The Third Edition is apparently very controversial, in part because the second was so stodgy. One of the women has a job writing about grammar, and so is the prescriptivist and is more akin to the second edition; the other writes poetry and stories using vernacular language and so is the descriptivist, and could be compared to the third edition. (A short definition of prescriptive vs descriptive lives here, if you’re interested.)
But that is all in-the-weeds, and you certainly don’t need to care about that particular argument in order to enjoy the book. You can (I did) enjoy the characters and their relationships to each other and New York City in the 1980s. I highly recommend The Grammarians.
Here’s what I thought No Stopping Us Now was going to be: ways in which older American women have been awesome and examples of them being awesome, defying stereotypes of women of a certain age being boring and invisible. What it actually was: a chronological history of how older women in America have been sidelined and excluded, with the few exceptions that have defied the systematic discrimination of both sexism and ageism.
I found that I couldn’t adjust my reading attitude to compensate. I just didn’t want to read the ways society has sidelined older women throughout history. So I started skimming, only reading closely when the examples of older women being taken seriously as whole people were mentioned. And then I was fine. But I couldn’t read the full book as it was written.
Time’s Convert is a companion novel to the All Souls Trilogy. In it, we follow the story of a young woman, Phoebe, as she becomes a vampire so she and her true love, Marcus (who is already a vampire), can be together forever.
It’s easy to look at that melodramatic premise and roll your eyes. Especially if you read the somewhat shaggy All Souls Trilogy it’s related to. (Which I enjoyed, but it’s a melodrama that is full of too many characters doing too much.) This is a tighter story, and is mainly about the combination of Marcus’ human childhood and his early years as a vampire. It’s contrasted with the journey that Phoebe is going through in the modern era. I can’t help but think that the author wrote this book so she had the excuse to revisit her favorite characters and share Marcus’ backstory.
Or maybe that’s just why I read it – I am here for Deborah Harkness’ strong women taking charge of their lives, and Marcus has a different journey as a vampire than the others of his clan. It happens to be one that allows the reader to explore the American and French Revolutions, as well as some early American history. It’s fun.
I would not recommend Time’s Convert if you haven’t read the other books in the series. The author spends little time explaining who is who and how they are related to each other. This one is for fans of the All Souls Trilogy.
Tunnel of Bones is Victoria Schwab’s second book in the City of Ghosts series. It’s a middle grade set of books (so, slightly younger than young adult books – think for middle schoolers, or ages 11-13) about a girl, Cassidy, who can see ghosts and whose parents are professional ghost hunters. In the first book, she discovers that ghosts are still here because they haven’t been sent on for some reason – they died early and still have something that needs doing or were resistant to death or some other reason. Her power is the ability to bring them peace by sending them on. It’s not really made clear what “sending them on” means.
Here’s where I confess that I’m not much for the horror genre. I’ve read Stephen King, but I tend to skim the scary bits (I can do creepy, but outright scary is bad). This middle grade book, which has a ghost who is leveling-up to poltergeist status and can cause mayhem in the real world, is about my speed. Cassidy needs to learn the ghost’s story in order for him to be able to move on. She gets to spend some time with the ghost’s descendants learning who he was and what the circumstances were around his death – the main action of the book is this mystery: who is this person, why did he die, and how can Cassidy get better at what she does to she can stop the mayhem from happening.
I enjoy Victoria Schwab’s books, including her middle-grade. She does the right amount of creepy for me, even in her adult and YA books. And I am always here for a story about a girl kicking butt and figuring out what she’s good at. Tunnel of Bones is recommended.
I didn’t like How to Eat a Cupcake. I don’t know why – you’d think its lighthearted take on female friendship that takes place in San Francisco would be right in my wheelhouse. I love the kindness of the impulse of Julia reaching out to Annie to help her start her own small business, even if it is also a selfish way to try to become friends again. There’s tension there that should have been interesting.
But this was an unsatisfying first novel that ended up frustrating me more than anything else. There’s a mystery of what exactly caused the rift between Annie and Julia when they were teenagers; its pacing drove me nuts. And the switching of perspectives from chapter to chapter… I just don’t know. It bugged me.
This novel was clearly not for me.
The Stranger in the Woods is the book-length tale started in the GQ article titled “The Strange & Curious Case of the Last True Hermit“, which I would recommend you read if you haven’t already. It’s about a man who makes the choice to live in a secluded clump of woods in a tent in Central Maine. For over twenty years.
I find this story fascinating for a couple of reasons. One, the practical side of me is honestly curious about how you survive Maine winters in a tent. It’s explained in the book but I still keep thinking “but could that really work? Really?” Two, there is an appeal to leaving the world behind, to get rid of sources of stress, to have the time to meditate and the ability to read so much of the time. Three, what you must have to go through to re-enter the world is incredible to think about. It’s probably like traveling to a whole new place and having to learn how to fit in again. Things are the same as before you left, but also completely different.
The Stranger in the Woods is an easy read and entertaining. Which seems like an odd and callous thing to say about a real, live person who is clearly going through some real, live stuff. Even if he did just decide to go, he was discovered and arrested and pulled back into the world not by his choice. While the book is easy and entertaining, I’m not sure it should be? Like, shouldn’t I feel his pain and suffering along with him as he slowly reacclimatizes to being around people?
I don’t know. Would I recommend it? Yes, as a starting place and a story. But no if you’re looking for a psychological profile that wants you to ask difficult questions.
Truly Devious is the first book in a YA mystery series. Be forewarned that only two of the planned three books are out (the last one is scheduled for release in January 2020).
Stevie (short for Stephanie) Bell is a new student to the Ellingham Academy, a boarding school in Vermont that was founded in the 1930s. Shortly after the founding, Albert Ellingham’s wife and daughter were kidnapped and possibly killed. A culprit was found, but no one believes that he did it. Stevie wants to be the real Sherlock Holmes, and her mission at Ellingham Academy (in the present time) is to solve the mystery.
The past mystery is nicely mysterious, the setting of a secluded school without parents is handled in the best hothouse-for-bizarreness way, there’s a romance story that is very much not the point, and while there is also a current murder, it does get solved. So even though the past mystery is going to take three books to solve (probably), there is a sense of resolution and completeness to this book.
I enjoyed Truly Devious and have put the second book in the series on my hold list at the library.
The Chatelet Apprentice is a fine first mystery novel, doing a good job of introducing the characters, setting the scene of mid-1700s Paris (Paris is important because it puts our detective into glancing contact with King Louis XV), and generally easing you into a new mystery series.
That said, I had a terribly hard time getting into this book. It was a slow read the whole way through, and while it wasn’t bad, it was maybe more laid back than I wanted? I don’t know. It is translated from the French, and so, since it was written for the French market, maybe moves at a different pace? Or maybe I’m just not used to reading cozy mysteries and as a result am not used to them anymore.
Regardless, if you’re looking for a new mystery series or fiction books about historical France, try out The Chatelet Apprentice.